Bonsai is the art of aesthetic miniaturization of trees, or of developing woody or semi-woody plants shaped as trees, by growing them in containers. Cultivation includes techniques for shaping, watering, and repotting in various styles of containers.

The Ancient Art of Bonsai: Glossary, Chapter II

L

lava

layering - a method of propagating a tree by ring-girdling the trunk and inducing roots to grow from the wound.

M

miyogi - Japanese term for informal upright style

mycorhizzae

N

neagari - Japanese term for exposed root or octopus style

nebari - Japanese term for the exposed root base of a tree

O

overpotting - planting a bonsai in a container that is larger than necessary to maintain it.

P

pH - measure of soil acidity. pH 7.0 is neutral. lower pH is acid, higher pH is alkaline.

perlite - lightweight, porous, white granules that can hold water and air.

pot - A growing container for bonsai, usually high-fired clay

pumice - A white, hard volcanic product used as an agricultural amendment

R

raffia - A dried shredded reed used to wrap branches and trunk before bending to cushion and reduce the likelihood of splitting.

raft style - a bonsai style in which multiple trunks grow in a line from a connected base.

ramification - the development of a twigging structure by a series of divisions of branches into twigs and twiglets

S

sabamiki -A Japanese term for a tree with a wounded trunk tree that is hollow or split open

saikei - tray plantings containing stones, trees, plants, but in the strict sense, without figurines - See bonkei.

shari - Japanese term for exposed deadwood on a tree

sokan - Japanese term for a twin trunk tree

shakkan - Japanese term for slant style bonsai

sifting

suiban - Japanese term for a shallow tray without drainage holes intended for the display of suiseki

suiseki - Japanese term for viewing stone

T

tachiagari - Japanese term for the lower portion of the trunk

V

variegated - a tree with foliage spotted or striped in two or more colors.

vermiculite - mica that has been expanded with heat into a lightweight granule. Useful in rooting seedlings.

viewing stone - a stone appreciated for its natural characteristics, as a mountain or natural scene, including cliffs, waterfalls or an appearance reminiscent of a figure, animal, implement or structure, or perhaps an entirely abstract shape.

W

whetstone

wire

Y

yamadori - Japanese term for a tree collected from the wild mountain, or a tree with that appearance.

yose-ue - Japanese term for forest or group planting

The Ancient Art of Bonsai: Glossary, Chapter I

A

apex - the tip of a tree or branch

B

bonsai - Japanese term for the the art of cultivating and training a plant to create the illusion of a dwarfed tree.

bonkei - tray plantings containing stones, trees, plants and figurines

branch bender - a clamp or jack used to bend branches or trunk

branch splitter - a cutting tool used to divide branch or trunk to allow it to be bent more easily.

broom style - A training form for bonsai which resembles an inverted broom with a single trunk dividing into many symmetric branchlets which subdivide into twigs and so forth. See Hokidachi

bunjin - Japanese term for an educated person or literati, a tree grown in this style, usually emphasizing a thin trunk, with a lean appearance and container with rough-hewn appearance.

C

callus - The raised roll of tissue that forms as a wound heals and closes

cambium - The layer of tissue between the xylem and phloem, where new wood is formed.

chokkan - Japanese term for the formal upright style

clump style - see Kabaduchi

concave cutters

cutting - a bit of a plant that has been cut and rooted. A means to propagate.

D

deciduous - a plant that sheds its leaves and enters a state of dormancy annually

E

eda - Japanese term for branch

evergreen - a tree that does not shed its leaves in winter

F

fungicide - a chemical used to combat the growth of fungus

G

graft - to join a stem of one plant with another so they grow together. Grafting is used both to propagate plant species and to add foliage where none previously existed on a bonsai.

grafting knife

H

han-kengai - Japanese term for semi-cascade - See also Kengai

hokidachi - Japanese Term for Broom Style

I

ishitsuki - Japanese term for root-over-rock style

J

jin - Pronounced JEEN - Japanese term for snags of deadwood on the ends of branches or trunk.

K

kabaduchi - Japanese term for clump style bonsai

kengai - Japanese term for cascade style. See also han-kengai

Hobby Bonsai: Tools & Supplies


--------------------------------

Shears

ASHINAGA Shear - The Ashinaga shear is a basic tool for thinning and defoliating bonsai. Together, the Concave Branch Cutter and the Ashinaga shear are generally considered the two most basic bonsai tools.


--------------------------------

Trimmers

Leaf trimmers, also known as defoliating shears, are the preferred tool for removal of unwanted leaves and buds. They allow fast and precise removal of foliage. Very popular for bonsai.

The JR-166 Professional Grade Leaf Trimmer is the most versatile of the leaf trimmers in the JR line because its extended length permits reaching deep with a minimum of disturbance to the surrounding foliage.


--------------------------------

Saws

This saw is made specifically for cutting dense root stock. The 1” wood handle is 4” long and curved to provide a good grip for working the roots. Its heavy duty blade has a strong pointed tip for probing and 7 teeth/inch for fast cuts. A durable saw for this special task.

6” blade, 10 3/4” overall length.


--------------------------------

Wire

Our copper wire is fully annealed and ready to use. Copper wire is much stronger than aluminum, and is frequently used in the shaping of branches of trees where the greater holding power is most required. Copper is annealed so it goes on soft, yet takes a "set" that keeps branches in place.


--------------------------------

Wire Cutters

Bonsai wire cutters are designed specifically for bonsai wire. Although initiates to bonsai sometimes substitute standard wire cutters, the Japanese have designed these bonsai wire cutters with a rounded head to prevent damage to the branch, and with jaws that cut the wire symmetrically and cleanly. Highly recommended for serious enthusiasts.

Variations in the quality of material and finish are reflected in the price. Smaller wire cutters are also available in most grades.


--------------------------------

Pliers

These pliers, known in Japan as Yattoko, are designed specifically for manipulating bonsai wire when applying and removing wire from trunks and branches. They also find use in repotting operations in tightening tie wires. High carbon steel construction provides durability.

Large Intermediate Wire Pliers have 7/8 in. jaws, and are 9 in. long overall.

Chopsticks

One of the most useful bonsai tools, this set of durable jumbo chopsticks is carved from bamboo. Made especially for working soil around bonsai, these hearty bamboo chopsticks are packaged in a set of two in 8-1/2 and 11" lengths.


Brush

Bonsai brooms are great for leveling the topsoil after transplanting, dusting off work benches and pottery, and grooming the branches of pines to remove loose pine needles.

The JR- 6003 Bonsai Broom is 6-1/2 inches in length and has medium bristles.


--------------------------------

Water Can

Watering with a can is a popular method for small collections and a great way to dispense water soluble fertilizers.

This is the traditional approach and some say, "the only way to water.

Bonsai Groups: The planting of groups is essentially the same as that for one tree

The planting of groups is essentially the same as that for one tree. However before planting is started, build up a mental picture of the group as it should look when finished.

Avoid straight lines either front to back or side to side between two or more trees. In other words, do not have three trees in a row; the effect will be entirely unnatural. Position and secure the main two trees first, the lesser trees are planted to complement and give depth to the larger main trees, securing each tree as it is planted.

One can tie in the whole group with string ; going over the whole of the pot. This is not very attractive but might be found easier with complicated groups.
This Trident Maple is trained in the clump style and is approx. 45 years old

Rock planting
Some rock such as tuffa, which comes from Derbyshire, can be drilled and chiselled away o form an almost natural pot within the rock itself. The soil mixture for planting a tree in a rock pot is exactly the same as that used for the same variety of tree. If the tree is to straddle the rock-roots growing down the sides into the soil-use a mixture of 50% peat and 50% fine loam. Mix this with water to give a sticky mud. Dampen he rock and apply a thin layer of compost over the face of the rock. Clean and separate the tots of the tree, positioning it so that the main roots run down any available crevices in the Sock. Bury the ends of the roots in the soil (the compost in the pot will be the same as when potting normally). If it is necessary to tie the tree in position this can be done with twine or elastic-covered garden wire, protecting the roots with thin strips of rubber. If it is difficult to secure the wire, small rings of copper can be cemented to the rock surface.After tying in apply an ample layer of peat/loam mix over all exposed roots. To stop rain washing this off, plant moss over the whole planting, securing it with 'V's of copper wire. This will also help to stop evaporation. Always protect rock plantings from bright sunlight and heavy rain for at least a month, spraying the whole planting at least twice a day.

Training
Of the two basic methods for shaping a Bonsai tree, pruning is by far the most important. This is carried out throughout the life of every Bonsai tree where as wiring to shape is only done when the tree's shape needs to be corrected fairly radically. Even then, it might only be me branch that has moved away from its desired position.

A flowering Peach Bonsai approx. 12 years old
Pruning
Pruning can be divided into three main headings:

(1) Heavy Branch Pruning:
This is a general thinning out of old, diseased, weak, or unnecessary branches that grew the previous year. This should always be carried out during the Autumn, early Winter or early Spring before the sap has begun to flow at full strength. I have used the Samuri Stainless Steel Cutters to great effect over the years(

2) General Pruning:
This is the pruning carried out throughout every growing season. It is designed to maintain and create shape, thin excessive growth, and produce an abundance of flower buds in flowering trees. Best to use delicate trimming shears to minimise and ancillary damage. General Pruning is also needed to maintain the ever-important balance between the smallness of the root ball and the top growth; if the top is allowed to grow away from this balance the roots will not be able to maintain it in good condition; the roots may rot or die out and a vicious circle can be created-the end result being severe dying-back or even death.

(3) Leaf Cutting:
Leaf cutting is one of the 'secrets' of Bonsai training. In June, providing the tree is in good condition and has been amply fertilised to promote strong healthy growth, some or all the leaves of most deciduous trees can be removed by cutting them away with sharp scissors or defoliating shears. One leaves the petiole or leaf stalk on the tree which, in two to three weeks, withers and drops off. The tree has a false autumn and anew set of leaves and shoots appear. The effect is to produce bushy growth, smaller leaves and much better autumn colouring.
The trees most suitable for leaf cutting are the Maple family, Elms, Beech, Birch, etc., but not fruiting or flowering specimens. To find out which trees are best suited for leaf
trimmming and get an overview of all the different varieties of Bonsai have a look at "The A-Z of Bonsai"

Wiring
Wiring is generally considered to be one of the most difficult techniques for shaping Bonsai trees. However, after a little practice on a small branch cut from an ordinary tree its mystery will soon disappear. The most important point to bear in mind is that one mustn't rush-take your time. Before using wire consider the subject from all angles. If it is possible to achieve the desired shape by pruning alone then don't use wire. If wire has to be used choose the gauge that just holds the branch in position-if it is too stiff the wood will tend to bend in and out between the coils.

Copper wire (sizes 8 to 24 are generally used, 8 being the largest) that has been annealed in a slow fire is more suitable than iron wire. It does not rust or look unsightly on the tree.Deciduous trees should be wired immediately after their leaves have attained full size when the sap is flowing freely. Wires should only be left on deciduous for a maximum of 6 months. Some trees have very soft bark and the wire should have paper wrapped round it to protect the tree.Evergreen and coniferous trees take longer to become set in position and wires can be left on for 12-18 months. They must always be removed if they start cutting into the bark. Always start wiring from the base of the trunk, burying the wire in the soil to anchor it. After the trunk progress to the largest branches, continuing from large to small until finishing on the topmost smallest branches.


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Bonsai Styles, Chapter 3

ISHITSUKI
The tree itself may follow any style, the significance is that a rock is used instead of a pot, with the roots growing in a crevice or hollow.

The rock may stand in a shallow dish of soil or, better still, in a water tray Mixed plantings of pines with red maples or dwarf quince and azalea are particularly successful.

The essence of the root on rock style is the natural landscape that the composition evokes.

The choice of rocks, tree species and various accompanying plants must be carefully made, ensuring that they all harmonise visually and horticulturally, since repotting can be a difficult operation.

CallYa 1/15


NETSUNANARI

As the name suggests, this is a raft planting where the original horizontal trunk has attractive snake-like curves and is exposed in such a way as to show this feature to its best advantage.

With a style like this it is even acceptable for the old trunk to be above the ground in places.
The natural inspiration for the sinuous raft style is a fallen tree that has sprouted vertical branches and then taken root in places where it has come into contact with the earth.

Although trees of this kind themselves may conform to any style, they should harmonise and all be similar in trunk movement.

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IKADABUKI

Another obvious one: a raft planting where the original trunk lies in a straight line.

Most rafts created from nursery stock follow this style because of the difficulty of bending a fairly thick trunk into sinuous curves.In such cases the trunk is usually buried in the soil or covered with moss to disguise its unnatural appearance.

The main problem to solve when making a straight raft is how to avoid a straight row of trunks.
This can be achieved by training some branches horizontally forward or backward before bending them up to form trunks.

It is even possible to create a fairly dense forest in this way.

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NEAGARI
Most of us have driven down lanes where the steep banks have been washed away to expose the roots of an ancient beech or pine, and this style is based on such cases.

The roots, which must have mature bark and interesting shapes, add a dramatic, rugged appearance, so the design of the tree itself should echo this.

The foliage mass should be kept fairly small so that its weight or wind resistance doesn’t cause the exposed roots to bend over.

You might find wild specimens that lend themselves to training in this style, but more often than not, growing from scratch is the easiest method.



SÔJU

Two trunks, one smaller than the other, joined together at the base.

Trunks which divide significantly above the base are unacceptable.

The smaller or secondary trunk should be slightly to the rear of the dominant one to enhance the perspective.

The trees themselves may follow any appropriate style. These bonsai can sometimes be difficult to maintain in the long term, because as the trunks thicken with age, the fork between
them inevitably begins to fill.

This has the effect of raising the junction until eventually it is too high. When starting a sôju, make the angle between the trunks as wide as possible.



BANKAN

This most unnatural of all bonsai styles has heavy Chinese in uence. It became popular for a time last century and was grown in large numbers.

Although still popular among some hobbyists, it is seldom accepted in classic circles. The trunk spirals from base to apex while the branch structure follows that of the informal upright.

Unfortunately, the majority of commercial, mass-produced small bonsai — intended for the gift market - are bad examples of this style.

Far Eastern growers seem to think that this is what Westerners believe a tree looks like

KABUDACHI
Any (odd) number of trunks, which must be in a variety of sizes, all growing on the same roots.
This may either be created from suckers (shoots arising naturally from the roots) or by cutting off a thick trunk at the base and using the new shoots which spring up from the stump.

The trees can be any style. The horticultural advantage of using a clump rather than separate
plants is that the ‘trees’ do not compete for water and nutrients.

As with the raft and group styles, the trunks should have similar movement and characteristics but must also vary in thickness.


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YOSE-UE

This style may incorporate any number of trunks from seven up to as many as you like.
The main interest is in the interplay between the trunks, which should be of different sizes and should be arranged to give the impression of depth and perspective.

No three trunks should form a straight line and no trunk should be obscured by another when viewed from the front.

The trees in the centre of the group or forest should be the tallest, with the thickest trunks bearing the most foliage.

The trunks on the perimeter should lean outward, reaching for the light.

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Of the two basic methods for shaping a Bonsai tree, pruning is by far the most important

Groups
The planting of groups is essentially the same as that for one tree. However before planting is started, build up a mental picture of the group as it should look when finished. Avoid straight lines either front to back or side to side between two or more trees. In other words, do not have three trees in a row; the effect will be entirely unnatural.

Position and secure the main two trees first, the lesser trees are planted to complement and give depth to the larger main trees, securing each tree as it is planted. One can tie in the whole group with string ; going over the whole of the pot. This is not very attractive but might be found easier with complicated groups.

This Trident Maple is trained in the clump style and is approx. 45 years old
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Rock planting
Some rock such as tuffa, which comes from Derbyshire, can be drilled and chiselled away o form an almost natural pot within the rock itself. The soil mixture for planting a tree in a rock pot is exactly the same as that used for the same variety of tree. If the tree is to straddle the rock-roots growing down the sides into the soil-use a mixture of 50% peat and 50% fine loam. Mix this with water to give a sticky mud. Dampen he rock and apply a thin layer of compost over the face of the rock. Clean and separate the tots of the tree, positioning it so that the main roots run down any available crevices in the Sock. Bury the ends of the roots in the soil (the compost in the pot will be the same as when potting normally).

If it is necessary to tie the tree in position this can be done with twine or elastic-covered garden wire, protecting the roots with thin strips of rubber. If it is difficult to secure the wire, small rings of copper can be cemented to the rock surface.After tying in apply an ample layer of peat/loam mix over all exposed roots. To stop rain washing this off, plant moss over the whole planting, securing it with 'V's of copper wire. This will also help to stop evaporation. Always protect rock plantings from bright sunlight and heavy rain for at least a month, spraying the whole planting at least twice a day.

Training
Of the two basic methods for shaping a Bonsai tree, pruning is by far the most important. This is carried out throughout the life of every Bonsai tree where as wiring to shape is only done when the tree's shape needs to be corrected fairly radically. Even then, it might only be me branch that has moved away from its desired position.

A flowering Peach Bonsai approx. 12 years old Pruning
Pruning can be divided into three main headings:

1) Heavy Branch Pruning:
This is a general thinning out of old, diseased, weak, or unnecessary branches that grew the previous year. This should always be carried out during the Autumn, early Winter or early Spring before the sap has begun to flow at full strength. I have used the Samuri Stainless Steel Cutters to great effect over the years(

2) General Pruning:
This is the pruning carried out throughout every growing season. It is designed to maintain and create shape, thin excessive growth, and produce an abundance of flower buds in flowering trees. Best to use delicate trimming shears to minimise and ancillary damage. General Pruning is also needed to maintain the ever-important balance between the smallness of the root ball and the top growth; if the top is allowed to grow away from this balance the roots will not be able to maintain it in good condition; the roots may rot or die out and a vicious circle can be created-the end result being severe dying-back or even death.

3) Leaf Cutting:
Leaf cutting is one of the 'secrets' of Bonsai training. In June, providing the tree is in good condition and has been amply fertilised to promote strong healthy growth, some or all the leaves of most deciduous trees can be removed by cutting them away with sharp scissors or defoliating shears.

One leaves the petiole or leaf stalk on the tree which, in two to three weeks, withers and drops off. The tree has a false autumn and anew set of leaves and shoots appear. The effect is to produce bushy growth, smaller leaves and much better autumn colouring.
The trees most suitable for leaf cutting are the Maple family, Elms, Beech, Birch, etc., but not fruiting or flowering specimens. To find out which trees are best suited for leaf trimmming and get an overview of all the different varieties of Bonsai have a look at "The A-Z of Bonsai"

CallYa 1/15
Wiring
Wiring is generally considered to be one of the most difficult techniques for shaping Bonsai trees. However, after a little practice on a small branch cut from an ordinary tree its mystery will soon disappear. The most important point to bear in mind is that one mustn't rush-take your time. Before using wire consider the subject from all angles. If it is possible to achieve the desired shape by pruning alone then don't use wire. If wire has to be used choose the gauge that just holds the branch in position-if it is too stiff the wood will tend to bend in and out between the coils.

Copper wire (sizes 8 to 24 are generally used, 8 being the largest) that has been annealed in a slow fire is more suitable than iron wire. It does not rust or look unsightly on the tree.Deciduous trees should be wired immediately after their leaves have attained full size when the sap is flowing freely. Wires should only be left on deciduous for a maximum of 6 months.

Some trees have very soft bark and the wire should have paper wrapped round it to protect the tree.Evergreen and coniferous trees take longer to become set in position and wires can be left on for 12-18 months. They must always be removed if they start cutting into the bark. Always start wiring from the base of the trunk, burying the wire in the soil to anchor it. After the trunk progress to the largest branches, continuing from large to small until finishing on the topmost smallest branches.

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The Importance of the Pot

To be called a Bonsai the tree or shrub will have to live within the confines of a pot or container of some sort. To a certain extent the pot has the same function as the frame of a picture; it must show and display the tree to its best advantage.

It must not clash or tend to draw one's attention away from the tree. As it must last for at least a year or two, it should be chosen with care. For an example of the types of pots that I have used to rear my bonsai successful click here.

It must have at least one good drainage hole in the bottom to allow stale water to seep away and to encourage good air circulation round the roots of the tree. Generally speaking, the colour of the pot is usually subdued. Shades of brown, dark blue, green, black or off-white, are most popular.
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Lighter colours are sometimes used with flowering trees but again the colour must be chosen with care. A Japanese quince would look out of place in a pink or orange pot because of its bright red flowers. The pot may be glazed or unglazed on the outside but it should not be glazed inside as this removes the rough texture of the clay on which the soil grips and holds the tree steady.A strong wind could literally blow a tree completely out of such a pot.

If one has difficulty in deciding on the right colour for a particular tree, play safe and pick one that is neutral. For instance, dark brown is suitable for almost any tree. It can always be changed at the time of the next repotting.Apart from the question of colour there is the shape and size to take into account.

The basic shapes are round, ectangular, oval, and hexagonal. Others can be more fancy: ponds, petals, etc. Choose the shape of the pot bearing in mind the tree for which it is intended. An upright Cryptomeria would look odd in a pot like a lotus flower, but perfectly at home in a plain rectangular one. Some pots have curved sides, some straight; the top lip may be turned in or out, or it may not have a lip at all; the feet may be "cloud" shaped or completely plain.

The height of the container can vary from a flat piece of slate, on which groups of small trees are often planted, to the tall pots, twelve inches or more, used for trees trained in the cascade style. A tall heavy pot would not suit the lightness of a group of maples, being completely out of proportion. In the same way, a cascade tree would give the impression that it was about to fall over if it has been planted at the edge of a very shallow pot. It can be seen that the size of the pot also depends on the tree and its character, as well as the size of the root ball. The rule of thumb is that the cubic capacity of the pot will be approximately a half to one third that of the tree.

Front or Back
When looking at a bonsai tree it is essential to determine the front. This might sound obvious, but looking at the back of a tree will simply lessen one's pleasure. There are a
number of simple ways to ascertain the front. Look at the top of the tree. It is often trained to incline slightly towards the front, giving a certain depth to the tree.

The branches will always be at their longest when breaking from the sides of the tree. There will also be well-defined branches growing at the back, though few if any at the
front, except near the top. This is simply to allow the form of the trunk to be seen.Very formally trained trees often have branches in sets of three. A tree of this type will have one branch to either side of the trunk and a smaller one at the back: each set going up the trunk and none at all at the lower front. When a planting consists of a number of trees the front is the position from where the viewer gets the best impression of depth and distance. The major trees, always taller, will be planted towards the front of the group.

This magnificent 50 year old Mountain Maple clings strongly to a rock When considering the question of front and back be sure to have the tree at almost eye level; looking down on it can be very misleading.

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Display

The majority of bonsai trees are hardy and their natural habitat is the open air. Those that have to be protected from the frost and are looked on more as indoor bonsai will also benefit from a holiday outside in the warmer months. As this is the case, it is worthwhile making a permanent display stand in some quiet comer of the garden.

The ideal spot would be against a westerly heldge or fence where they can be seen and are out of reach of inquisitive pets and small children. Having the trees on a stand also makes it easier to tend them and keeps some of the more earthbound insects at bay.

The number and size of the trees will determine the size of the stand. For the collector with some six to a dozen trees it would be eight to ten feet in length and about four feet in height. It should be made of good quality wood treated with a wood preservative, or a metal framework and wooden top.

It is inadvisable to put them on a gravel bed as the roots will grow into the gravel through the drainage holes. Incorporating a shelf at the back will increase the surface area and allow smaller trees to be displayed. Above and at the back of the stand a weather shade can be made from strips of thin timber, such as plaster laths or a medium to small grade plastic netting that can be bought from most good garden shops.
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This will stop hot summer sunshine scorching the leaves of deciduous trees and heavy rain washing the tree from the pot. It will also provide protection from a certain amount of frost. The bottom of the stand can be utilised as a winter storage area by either burying the trees to the rim of the pots or by building another shelf for them just off the ground.

The back and sides of this lower part should be enclosed with plywood or some other suitable material. Sliding glazed panels cover the front or a double curtain of heavygrade clear polythene secured at the bottom. On fine sunny days the front should be opened to allow the circulation of air but closed again before evening. This winter protection will only be found necessary in the more exposed parts of the country, or if the less hardy varieties are kept, such as members of the Prunus family.

A tool rack might also be incorporated under one end, where it is easily accessible and does not interfere with the trees.However much trouble is taken with the outdoor display the enthusiast will want to admire his trees in the home from time to time. As long as they are kept inside for no more than a few days they will not be harmed in any way.In Japanese homes there is an alcove in the main living room called a Tokonoma. This is a narrow recess, slightly raised above floor level, against one wall. It is used for the display of scrolls, bonsai trees and ikebana flower arrangements, etc. It will be the only place in the room to hold an ornament of any sort-at least this is so in the more traditional homes.

If a specimen bonsai tree is the focal point then a simple scroll and either a small bonsai or an ornament-beautifully weathered stones are often used-are displayed with it. These subsidiary objects should not distract one's attention from the principal tree. They are carefully arranged to achieve the triangle the Japanese love so much: that of heaven, earth, and man (heaven is the scroll, the minor object is earth, and man is represented by the bonsai tree in this case).

In the West we relax by sitting in deep comfortable armchairs and not on a thin mat on the floor. Therefore we display our bonsai on a higher level. The height of the average table is ideal for most trees, though the smaller ones should be still higher. Apart from this minor difference, the basic spirit of the Japanese display can still be maintained. The essential point to remember is that the tree should be shown with as few distracting objects as possible.

It will look out of place next to a cut-glass vase filled with roses, or on top of the television set. Avoiding competition also applies to the background. Heavily-patterned wallpapers can reduce the effect considerably. Natural colours are best: tan, off-white, ochre, etc. The use of secondary objects in the display is really a matter for one's own discretion. They can look extremely effective but large ornaments, or too many, will make a tree look out of place.

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